The microphone is suitable for broadcasting or theater stage sound systems, and can also be used in broadcasting, recording and other sound applications. These fields require the use of classic-looking desktop microphones.

The 55SH II series microphone adopts a traditional design with modern acoustic components, which can meet the needs of today's performances. The microphone has a unique peak display ability, and it performs very well in vocal pickup.

The 55SH II series microphone adopts a cardioid (unidirectional) polar pickup pattern, which can minimize the sound pickup behind the microphone. This allows the 55SH II series microphones to be used closer to the speakers without feedback problems, and can be used in various sound environments where omnidirectional microphones cannot be used.

The 55SH II series has a low-impedance balanced output for connecting microphone inputs with a rated impedance of 75 to 300 ohms. The microphone uses a microphone head shock absorber to reduce the noise of the stand, and is equipped with an On/Off switch and an additional self-expanding 5/8"-27 threaded rotating stand.
Self-expanding rotating frame can be tilted forward 45 degrees and backward 80 degrees
Type Dynamic frequency response 50 to 15,000 Hz Pickup pattern cardioid (unidirectional), frequency balanced, axisymmetric impedance When connected to a microphone input with a rated value of 75 to 300 ohms, the microphone's rated impedance is 150 ohms (effective impedance) 270 ohms). Sensitivity (1,000 Hz) Open circuit voltage: -58.0 dBV/Pa (1.3 mV) 1 Pascal=94 dB Sound pressure level The positive pressure on the polar diaphragm will generate a positive voltage on pin 2 of the output connector (relative to pin 3) The built-in On/Off switch, the main part of the rotating frame, and the three-pin professional connector are all specially designed for use with Cannon XL series, Switchcraft A3 (QG) series or similar products